VAMPYR

A CHRONICLE OF REVENGE

“This is how the Cathedral actually ends > w/ an incendiary mob=party > replicator groupings from the Dawn of Life lip=syncing the Annihilator Code word=for=word in DNA mob=frenzy > nightslayer chaosmonauts > agents of White Supremacist Cisheteropatriarchy in headstomp
balletboots. There was a carcrash somewhere back on the superhighway & this is where it left us in the arsehole of a social coevolution hypothesis. Blow up more Temples of Palmyra > Buddhas of Bamiyan > Juuken Caves > T=Bone Towers > idk. History’s stuck on the comedy channel. Nothing becomes the World like the leaving of it. Redundancy being the compass of our time. Police the narrative till it burns. > You want a Caesar? This is how you get a Caesar! > When I burn, I’ll burn alone.”*

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COVIDOLOGY

THE DAY AFTER THE ONE BEFORE

What, being simply a mirror held up to an enforced economic system, calls itself art? What hand holds the mirror? If it is clear that no aesthetic revolution is possible without an equivalent revolution in the idea of the world, nor is social revolution possible without a revolution in the very idea of representation. Continue reading “COVIDOLOGY”